Entrance gate to Sang Ananta Bhoga within the Pura Lempuyang complex, one of Bali’s most sacred temples. This gate marks the entrance to one of the temple’s three main sections, dedicated to Brahma, the Creator, according to Balinese cosmology.
In Bali, nature is not a backdrop. It is breath, presence, and spirit. The sacred flows through it like a current—silent and continuous.
You don’t have to look for it in temples or rituals. You feel it in the mist rising from the rice fields at dawn, in the wind through the banyan trees, in the quiet faces of stone statues softened by moss and time.
The Balinese don't separate the divine from the world. The sacred is not dogmatic, nor confined to a single moment. It is a subtle presence, constant and shared, lived day by day.
In Bali, the sacred has three levels:
Suarga, the heavens where the gods reside,
Bhur, the world of spirits that surrounds us,
Bhwah, the realm of humans and offerings.
Moving through it all is the balance of the cosmos—an invisible thread that holds everything together, keeping the energies in harmony.
This view is not the result of pure religious devotion. It is the product of a long process of cultural syncretism, where ancient animist forces and Hindu cosmology merged, giving rise to a unique, living spiritual geography.
Balinese temples do not stand out with height or grandeur as in other cultures. They are dark, angular, often hidden. They blend into the jungle or face the ocean. They seem like creatures born from the rock, with fierce guardians watching those who approach. Yet inside, they are open spaces. They breathe with the landscape, follow its shape, merge with it.
Nature is not just a frame—it is the substance. And spirituality is not above or beyond—it is within.
You don’t have to look for it in temples or rituals. You feel it in the mist rising from the rice fields at dawn, in the wind through the banyan trees, in the quiet faces of stone statues softened by moss and time.
The Balinese don't separate the divine from the world. The sacred is not dogmatic, nor confined to a single moment. It is a subtle presence, constant and shared, lived day by day.
In Bali, the sacred has three levels:
Suarga, the heavens where the gods reside,
Bhur, the world of spirits that surrounds us,
Bhwah, the realm of humans and offerings.
Moving through it all is the balance of the cosmos—an invisible thread that holds everything together, keeping the energies in harmony.
This view is not the result of pure religious devotion. It is the product of a long process of cultural syncretism, where ancient animist forces and Hindu cosmology merged, giving rise to a unique, living spiritual geography.
Balinese temples do not stand out with height or grandeur as in other cultures. They are dark, angular, often hidden. They blend into the jungle or face the ocean. They seem like creatures born from the rock, with fierce guardians watching those who approach. Yet inside, they are open spaces. They breathe with the landscape, follow its shape, merge with it.
Nature is not just a frame—it is the substance. And spirituality is not above or beyond—it is within.
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The Gift of the Waters
For a brief moment, Varuna* offers a sacred passage to those who wish to ascend and pray; in that fleeting instant, the bond between man and the divine becomes tangible—a gift whispered by the waters. Then, with the arrival of high tide, the temple transforms into a solitary islet, cradled among the waves, returning into the protective arms of Varuna.
*Varuna – An Induist deity, considered the sovereign of the oceans and seas, who also has a connection with rains and underground waters.
Silent Guardian
This rock, taken from the top of the cliff, suspended between sky and sea, reveals the immortal power of devotion and sacrifice. Hyang Agung *watches over the sacred rock, shaped by the sea and time. The incessant waves carry his prayers to the earth and the divine silence fills every breath of the place.
*Supreme Hindu Deity in which Hyang is a manifestation of the natural spirits that, according to Balinese tradition, inhabit sacred and natural places.
Divine Waiting
Between the song of the waves and the silence of the cliff, Bhumi awaits her consort Vishnu**; thus, the Balangan reef becomes the stage for a sacred encounter, where the beauty and strength of nature merge with the eternal harmony of the divine.
Mist and Hope
Dewi Danu, wrapped in the veils of mist, floats on the lake's waters with her gaze fixed on the horizon, waiting for something
nly the waters know—a secret hidden between the mist and the waves or perhaps a promise, that of meeting Varuna.
The gaze of Buddha** protects her and, perhaps, silently already knows the answer to her desire.
*Dewi Danu, the goddess of water, is worshipped in Bali as the guardian of lakes and rivers. The Pura Ulun Danu Bratan temple, located
on the shores of Lake Bratan, is dedicated to her.
Ascent to the Divine
Sang Naga Basukih* is one of the three stages of the staircase on Mount Lempuyang**.The path to the summit is like a journey through life: each step is part of an ascent that is not only physical, but also spiritual.Here, the sacred coexists with a more ancient, primordial force.A sacredness that does not descend from the sky, but seems to rise from the depths of the ocean... and the Balinese soul.
Sang Naga Basukih* is one of the three stages of the staircase on Mount Lempuyang**.The path to the summit is like a journey through life: each step is part of an ascent that is not only physical, but also spiritual.Here, the sacred coexists with a more ancient, primordial force.A sacredness that does not descend from the sky, but seems to rise from the depths of the ocean... and the Balinese soul.
* According to Balinese cosmology, Mount Lempuyang is divided into three sections: at the base is the domain of Brahma the Creator (*Sang Ananta Bhoga*), in the middle is Vishnu the Preserver (*Sang Naga Basukih*), and at the top is Shiva the Destroyer (*Sang Naga Taksaka*).
** *Pura Lempuyang Luhur*, at the summit, is one of the six most sacred temples in Bali (*Sad Kahyangan Jagad*) and represents the East direction among the island’s nine directional temples. It is associated with the color white and the deity Iswara. It stands 3,854 ft above sea level.
** *Pura Lempuyang Luhur*, at the summit, is one of the six most sacred temples in Bali (*Sad Kahyangan Jagad*) and represents the East direction among the island’s nine directional temples. It is associated with the color white and the deity Iswara. It stands 3,854 ft above sea level.
Dance and Tradition
Pura Taman Kemuda Saraswati* is a space for storytelling through dance, where tradition and contemporary life intertwine, speaking also to the modern visitor.
*A recent temple, not as ancient as many others in Bali, built in 1951 at the initiative of the royal family.
No copyright, not for sale. The images are shared for cultural and informational purposes.
Sacredness
Melasti is a ritual celebrated 3-4 days before Nyepi*. It takes place in Pura Sagara, the sea temples, and is dedicated to Sangyang Widhi Wasa, the supreme deity. The purpose of the ritual is to purify oneself and the sacred objects** connected to the spirituality and heart of the village. The participation, colors, and number of people involved impress any observer. For the Balinese, it is a living moment, deeply rooted in everyday life — a spirituality that is not distant, but part of every gesture. Here there is no divide between sacred and daily life, no separation. It is a world of its own, full of smiles, happy young people, and a sense of community that is hard to find in Europe.
* Nyepi is the Balinese New Year, following a lunar calendar called Saka, composed of 210 days per year and differing from the Gregorian calendar by about 77 years. It consists of six different rituals held over six days around the festival.
** Arca, Patima, and Pralingga are sacred objects.
The images and texts on this page depict sacred rituals of Balinese tradition. They are shared with respect and care for their deep spirituality. These contents are for educational and cultural purposes only, not for sale, and are not subject to copyright. Please view these representations with sensitivity and awareness of their cultural significance.
Pitra Yadnya, the offering to the ancestors
For the Balinese, death is not an end but an essential passage to a new cycle of life. The Pitra Yadnya ceremony frees the soul from earthly ties, allowing it to be reborn or to merge with the divine. This sacred offering represents not only a farewell but a moment of communion between the visible and spiritual worlds, a gesture that unites the community in respect and celebration of life and death.
For the Balinese, death is not an end but an essential passage to a new cycle of life. The Pitra Yadnya ceremony frees the soul from earthly ties, allowing it to be reborn or to merge with the divine. This sacred offering represents not only a farewell but a moment of communion between the visible and spiritual worlds, a gesture that unites the community in respect and celebration of life and death.
The wadah is the sacred structure that holds the body of the deceased during the funeral ceremony. It represents the passage from the earthly world to the spiritual one.
Musicians accompany the funeral procession with joyful sounds, celebrating the journey of the deceased on a day of festivity and community.
Please note
The following image captures an authentic moment from a Balinese funeral ceremony.
It contains sensitive content. Viewing it is a conscious choice.
It contains sensitive content. Viewing it is a conscious choice.
Click on the image to view it
Where the sacred flows through nature
Temples, mountains, and the spirit of Bali.
Follow the wind, to the island where they dance for the gods.
